Men: Alex Garland Takes a Shot at the Patriarchy
Can’t live with them, can’t live without them?
Between March 2021 and March 2022, 198 women were killed in the UK. Ninety-five percent of the suspects charged were male. In his latest film, Alex Garland explores the horror of misogyny, in a quintessentially English setting. Jessie Buckley plays Harper, a woman who sees the gruesome aftermath of her husband’s suicide after she suggests they divorce. Escaping to a manor house in the countryside, she experiences a sort of purgatory where all of the residents are men and their abusive behaviour escalates from unsettling to threatening and finally, violent.
REVIEW: A Portrait of the Witch – Taschen’s New Art History of Witchcraft
Witches’ Sabbath – Francisco Goya To most people, the word ‘witch’ conjures images of old crones with pointy hats flying into the moonlight on broomsticks. Outsiders in league with malevolent forces, they cast spells on those who wrong them. Our current perceptions of witches and witchcraft are still largely shaped by the propaganda cooked up by King James I in the 1590s, memorialised by Shakespeare in the witches of Macbeth.
With ‘Witchcraft,’ a new coffee table tome published by Taschen, co-editors Jessica Hundley and Pam Grossman have gone a long way towards changing this perception. From the origins of the word ‘witch’ to the practices of witches today, they chart the history of witchcraft across the world through over 400 artworks, as well as essays and interviews with historians, artists and modern practitioners.
Midsommar – The Truth Behind the Twisted Fairy Tale
In many European countries, the Summer Solstice has traditionally been linked to pagan fertility rites and the anticipation of a fruitful harvest. In Sweden, one of the many beliefs linked to this time was that if a girl picks seven different flowers on the midsummer night and puts them underneath her pillow, she will dream of her future husband.